When Hamilton arrived, British saxist and Woodville label owner Barnes suggested using tunes that Johnny Hodges had recorded with his own band in the early 1950s. And according to Barnes, the American tenor master got all the themes and changes down after a single run-through. Neither of them attempts to sound like Hodges, though, and just as well. While Barnes’ bop-tinged alto skeeters around the chords, Hamilton carries right on with his beautiful, fluid and unhurried swing phrasing, effortlessly conjuring up the spirit of Lester Young. Like Barnes’ 2009 album with Ken Peplowski, this is relaxed, enjoyable music from beginning to end.

Sound Quality: 80%