There’s a strong case for regarding this as EC’s best album – if not of his entire career, which is too varied and complex, then surely of his early years. The magic ingredient was the arrival of the band that would accompany him through his strongest period, his most sympathetic backing of all: the butt-kicking Attractions, who injected enough adrenalin into these Nick Lowe-produced sessions to yield an embarrassment of riches – ‘Pump It Up’, ‘Radio Radio’, ‘Lipstick Vogue’ and eight more acidic tracks. It’s ignoble to suggest that Costello was maturing: he arrived fully formed and in no need of assistance. It was like giving a great F1 driver a faster car.

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