Piano Concertos 4 and 5 Till Fellner, Montreal SO/Kent Nagano - ECM 476 3315
These concert recordings supplement rather than displace Curzon, Gilels, Kempff, Serkin, et al, yet the opening bars of the Fourth Concerto immediately reveal Fellner’s very beautiful piano sound – which we already know from his Bach on ECM – and subsequently that he completely understands the imperatives of Beethoven’s expressive writing: in dynamic gradations, the function of trills and turns, etc. Furthermore he is very sympathetically accompanied by Nagano – the unfolding of the dramatic dialogue in 4(ii) has rarely sounded so interesting. Alas the ‘Emperor’ falls well below its companion here.
Sound Quality: 65%
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